It was at about this time, two years after my initial diagnosis of depression, that I was diagnosed with colon cancer. The contract validated my illness, and I considered the successful completion of the contract a major milestone in my recovery. The PHS contract was another valuable element of my professional rehabilitation, because it provided me with a structured program through which I could formally document my recovery under the guidance of my PHS associate director and designated monitors at work. The kind, helpful, and understanding individuals at PHS gave me the chance to see myself as a person with depression rather than a worthless resident, and allowed me to trade in the sentiment of shame for a sense of accomplishment and pride in battling the pain of depression. In turn, their inspiring stories gave me hope and strength, and I began forming friendships. Though I am shy by nature, I was able to share my experiences with fellow physicians and find comfort and empathy instead of judgment. For the first time in my life, I was surrounded by people who understood what it was like to go through life with depression. My participation in the weekly meetings at PHS as well as my sessions with my counselor played a very important role in my road to recovery. It was at this time that I found out about Physician Health Services (PHS) in Massachusetts. However, the diagnosis did allow me to finally receive proper treatment with medication and psychotherapy. Most importantly, I could not talk to my peers about the pain of depression as I could if I suffered from migraine headaches or a bleeding stomach ulcer. Depression would not relieve me of the guilt about having failed at my job in the same way a diagnosis of hypothyroidism would. Depression would not exculpate me for my dismal performance as a resident in the same way, for example, a brain tumor would. I knew that many people - even some in the health profession - regarded depression as a character flaw rather than a true illness. My condition proved to be a very isolating experience, and the isolation only intensified the disease and its accompanying shame and loneliness. Curiously, the diagnosis did not come as much of a relief. Instead, I was diagnosed with depression. I desperately almost hoped that I would be vindicated by the diagnosis of some physical ailment. Slowly I began to wonder if I was contracting some sort of dementia.Įventually I decided to schedule a medical workup to rule out any disease that could possibly be causing my symptoms. It seemed as if my mind was paralyzed and I was condemned to play the role of the worst resident in the program. I remained slow, inefficient, disorganized, and was almost always late - very late. It was a very frustrating struggle, because no matter how hard I tried, I could not improve. Despite the demoralizing effect the ensuing negative feedback had on me, I resolved to overcome the hurdle. It was a frustrating time, since it had always been very important to me to do my work in a conscientious manner. Having always been blessed with an excellent memory, I noted with dismay that I was often unable to recall basic facts I had read. In addition, I had trouble concentrating on even the simplest of tasks. In fact, I did almost everything, including walking down the hall and going to the bathroom, at a very slow pace. I was repeatedly unable to complete my work in a timely fashion. However, six weeks into my residency, I was in trouble. It seemed as if my hard work had paid off and my dreams were realized. Everything seemed set, and I was about to start a residency program at a prestigious institution. I completed high school, college, and medical school with great success. The onset of the disease was insidious, but even today, I still vividly remember the painful episode in my life.
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But there’s certainly something to be said about how the media frames unfolding narratives, how these narratives change with time, how and why certain stories take hold in the public consciousness, and the various political elements involved in telling them, with regards to issues such as representation and access. I’m not suggesting Waller’s film should be cynical, like Wilder’s, or that any journalist had untoward motives in covering the cave rescue. While a work of fiction, Wilder’s acerbic commentary on media sensation has obvious similarities, revolving around the plight of a man who gets trapped inside an abandoned silver mine, his precarious situation worsened by a tenacious reporter (Kirk Douglas) who exploits the story for his own career prospects. When we learn they’ve been stuck in the cave for seven days it feels as if barely any time has elapsed at all, partly because we’ve spent so little with them (nor do we feel the immediacy and sense of stakes the material demands).Īt this point Waller begins periodically divulging information via piece-to-camera addresses from TV journalists, the site outside the cave taking on a carnivalesque atmosphere – like in Billy Wilder’s great 1951 film, Ace in the Hole. The film The Cave features the divers who rescued the team from the cave, four of whom are played by the actual divers themselves.ĭon’t expect any portrait of the soccer team and the coach: despite their centrality to this story they are virtually nonexistent, the director only briefly cutting to them from time to time. There are also, importantly, the divers who rescued the team from the cave, four of whom are played by the actual divers themselves: Jim Warny (from Ireland), Erik Brown (Canada), Mikko Paasi (Finland) and Tan Xiaolong (China). There are military personnel who examine maps and assess the odds of survival, for instance, and community members offering a helping hand – from farmers donating produce to a water pump manufacturer delivering crucial equipment. Where The Cave succeeds is illustrating the many moving parts involved in a rescue mission of this magnitude. Other productions coming down the pipeline include a Netflix miniseries and a Ron Howard biopic being produced on the Gold Coast. Not to tell a good story, or a certain kind of story, but to tell the first dramatised story to make a Tham Luong cave movie before anybody else. So, what was the point? Why make it at all? The subject line of the email that landed in my inbox announcing its release reads “The world’s first film about the Thai soccer team rescue,” which seems to reflect the driving impetus. Waller shows many aspects of the rescue process, but develops not a single interesting character to guide us through the experience. There are only very vague hints of any of the above in writer-director Tom Waller’s feature film The Cave, a procedural-like and documentary-style overview of the event that’s oddly muted emotionally (given how inspiring this tale potentially is) and largely devoid of intellectual and humanistic perspective. The story being told is not the most engaging in the world, and if you have ever played ArcheAge, Blade & Soul, Black Desert Online or TERA you are likely going to be familiar with the style of questing that I largely associate with South Korean MMORPGs. That feels off but once I realized that was what was happening I adjusted. However it seems that you have to ease up off them and re-engage them in order for the game to acknowledge that you are wanting to move now. My instinct is to stay holding on the movement keys while doing this so I will move out of the effect as fast as possible. For example there are attacks that will stun your character and you have to mash spacebar, left and right mouse button at the same time in order to break free. There are some quirks I have encountered so far in combat. So I went with the dark hair, ponytail, full beard thing that I have done since World of Warcraft, and the closer a game gets to allowing me to do that thing the better.įor the most part Bless Unleashed passed with flying colors when it comes to the character creation system. For me I largely tried to create “Belghast” which regardless of the game has certain specific sensibilities. You have a pretty wide range of options and almost all of the color pickers employ a full color gamut slider system allowing you to have purple skin and flame orange hair if you so choose it. I hate futzing with faces in these sort of character creators, so I ultimately went with the face that I liked the best and then started customizing from there. You are given a number of presets that you can start with and then modify further. Race appears to strictly be a visual choice because I did not see any real difference between them. When I went to create a Ranger later, that specific class was locked to only being able to play as an Elf. For example I rolled a Crusader and had the ability to create a Human or an Ippin. Thankfully this is not a game with gender locked classes like Black Desert Online, but each class does have a very limited choice of the four races of Human, Elf, Varg (big cat people), and Ippin (think Asura from GW2). You start the game by choosing from one of the five classes and four races, but really… class is the piece you have the most control over. By default your evade button is bound to the spacebar and jump to control, though the longer I played the more likely I was to swap these because I am a jumper in MMORPGs. Combinations of left and right mouse clicks can be chained together to do specific combos, and there is an in game guide to these. The game uses an auto combo system similar to TERA where if you hit the left mouse button once you get a specific ability, but if you hit it again in rapid succession it actually performs a different ability. The bulk of your combat takes place with the left and right mouse buttons with some longer cooldowns existing on four buttons bound by default to numeric keys 1-4. Last night I spent several hours playing around in the Closed Beta and immediately it feels like a mix of TERA, Neverwinter and Skyforge. First lets clear up some confusion, because I can see that you might be thinking… but wait Bel didn’t this game release in 2018? The answer to that would be no but also sorta yes? Bless Online and Bless Unleashed are two different games in the Bless series, with the first being a traditional hotbar combat style MMORPG and Unleashed being more of a action combat limited hotkey affair. A friend of mine appears to be doing some work with the game and hooked me up with closed beta test access along with a few keys to hand out to my readers, but we will talk about that specifically later. Bless Unleashed is a game that I have been watching for awhile since I first heard about it at Pax West 2018. Regular cleaning and maintenance are important to keep the performance constant. 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Therefore, it is critical to better understand people’s ability to accurately identify fake from original images. This reliance applies to almost all digital images, from those that are used as evidence in the courtroom to those that we see every day in newspapers and magazines. The importance of this question becomes evident when considering that, more often than not, in today’s society we still rely on people to make judgments about image authenticity. Currently, however, scientists know very little about people’s ability to distinguish between original and fake images-the question of whether people can identify when images have been manipulated and what has been manipulated in the images of real-world scenes remains unanswered. The rise of photo manipulation has consequences across almost all domains, from law enforcement and national security through to scientific publishing, politics, media, and advertising. In the digital age, the availability of powerful, low-cost editing software means that the creation of visually compelling photographic fakes is growing at an incredible speed-we live in a world where nearly anyone can create and share a fake image. The results have implications for professionals working with digital images in legal, media, and other domains. Taken together, our findings show, for the first time, that people have poor ability to identify whether a real-world image is original or has been manipulated. We also explored whether manipulation type and individual differences were associated with people’s ability to identify manipulations. People’s ability to detect manipulated images was positively correlated with the extent of disruption to the underlying structure of the pixels in the photo. Furthermore, across both experiments, even when subjects correctly detected manipulated images, they were often unable to locate the manipulation. Subjects demonstrated a limited ability to detect original and manipulated images. In two experiments we asked people to detect and locate manipulations within images of real-world scenes. We do not know, however, whether such limitations also apply to real-world scenes that contain common properties that the human visual system is attuned to processing. The prevalence of manipulated photos in our everyday lives invites an important, yet largely unanswered, question: Can people detect photo forgeries? Previous research using simple computer-generated stimuli suggests people are poor at detecting geometrical inconsistencies within a scene. Advances in digital technology mean that the creation of visually compelling photographic fakes is growing at an incredible speed. Don’t leave your Mac cluttered again this beautiful spring. It now comes with privacy and security protections for a next-generation Mac experience. 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An Internet service that allows users to share their Emacs configuration, including InitFiles and any associated personal EmacsLisp libraries or libraries written by others.To know that I wouldn’t lose stuff when that happened, I’d happily pay the price of having to flush the buffer occasionally. But every few months, I get interrupted or distracted, and realise I have quit emacs or rebooted a machine while there was something significant in scratch. I realise that it is meant for things I don’t want to save. I’d like to be able to make the scratch buffer persist between sessions.I know there have been attempts, but they seem to have gone to ground all. On that note, I’d like to see Emacs support the type of CollaborativeEditing that SubEthaEdit has.As for today i couldn’t do this, i think it is quite difficult as i want to transmit images between the two instances.- AlvaroMartinez To connect two Emacs Sessions in different machines, i mean: i have a session of emacs (with an elisp package in a freebsd box) and want to work on that but from my Aquamacs Emacs interface in my Mac.Wish for SXEmacs - make a deb package out of it, possible on PPA.I’d prefer elisp with (require ‘cl) over scsh. That lots more people use emacs -batch or xemacs -batch so that they use and improve command line emacs and replace usage of other languages for shell scripting.The other possibility would move wishlist items on to UserName pages, and could be linked to from this page. Some unmet wishes and discussion can from time to time be moved to more relevant pages, or could be moved to archive pages of the WishList, or could be permanently deleted. 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